Raven artwork, Raven, crow, Tooth Fairy, etching, 5 inch by 7 inch. 2016 by RAVENSTAMPS

40,00 USD WAITING FOR THE TOOTH FAIRY intaglio etching, 5 inch by 8

inch, 2016 www.facebook.com/pages/Larry-Vienneau/122094571201575

Raven & quot; is a & quot; trickster & quot; in stories and myths; he is sometimes a hero, a mischief-maker, a glutton, a buffoon, a destroyer or a creator. The Trickster alternately scandalizes, revolts, entertains, interferes with, chastises, and humiliates (or is humiliated by) people.
Raven is incredibly jealous of anything that People hold in high regard. Raven always desires to be the focal point. Over the centuries he has actually produced doubt in the minds of Human beings about Mythic Beings such as the Easter Bunny, Leprechauns, Gnomes, Mermaids, Elves, Pixies, and Santa Stipulation. And he has ruined Ancient Gods one by one. However the one Mythic Being that is the most persistent issue is the Tooth Fairy. It appears at all times of the year and Raven has not manage over this irritating sprites looks’.
Raven hatched a plan to rid the world of the Tooth Fairy. Raven has hoarded Human teeth and is waiting with a fly swatter to put a speedy end to this bug.
In the instance Raven is a mischief-maker

HOW I CREATE MY PRINTS: I have had a great deal of people ask & quot; & quot; Exactly what is a hand made print & quot;& quot;.? I made this video of to prove to the printing procedure. https://www.youtube.com/watch?v=DNdYxOSKt1Y&feature=youtu.be

< br/ >< br/ > I typically discover motivation from a standard or historic account of the raven. Very first I decide on my title. Having a title helps me with the image and state of mind of the piece. Humor is frequently crucial however I likewise select titles that require the audience to believe more about the images.
Next I browse references to discover the right present or gesture for the raven or ravens. Then I spend hours doing initial sketches, followed by a series of illustrations using pencil, standard gouache (opaque watercolor), ink and charcoal. My next action involves using digital innovation. I scan the drawings and revamp them with Photoshop. This digital tool permits me to change the value of the drawing and I can even move and restructure the image. I recruit filters if needed. Next I print the drawing from my computer system and continue to draw with the traditional tools. I repeat this process numerous times so the standard and new technologies combine flawlessly.
In 2009 I began working with photopolymer etching plates. In the past an etching involved finish the plate with a petroleum bases sealant then emerging the plate into vat of acid, cleaning with solvents, recoating, and more acid baths. The procedure was incredibly hazardous to the artist as well as the environment. In 2009 I started dealing with newly refined and safe photopolymer etching plates. These are UV light delicate printing plates, which are exposed in sunshine and processed in tap water!! In the past I would has invested 20-40 hours developing the printing plate. Now I utilize that time to do my finished illustration. I recruit my computer and printer to move my drawing onto a transparent sheet of plastic. This serves as my unfavorable for the direct exposure to the sun! I recruit the photopolymer process to transfer the original drawing to a printing plate from which I can hand print an edition. Lastly, I compose a narrative. This usually takes me the most time of all!

Copyright Larry Vienneau. All Art work is home of the Larry Vienneau and may not be recreated, duplicated, or resold. The artist allows it’s for usage on blog sites or for educational function when image is not offered but is credited to Larry Vienneau. Original artwork shall not be recruited for advertising/ for profit or non-profit usages without consent. Copyright is retained by the artist following the sale of the product.